The image workflow in audiovisual projects has evolved considerably over the decades. In the past, processes were largely manual and analogue. Images were captured on film, requiring chemical processing and physical editing, which was often tedious and time-consuming. Editing was done by physically cutting and splicing segments of film.

The arrival of digital technology revolutionised this process. In the 1990s, digital cameras and non-linear editing (NLE) software such as Avid and Final Cut Pro enabled unprecedented flexibility and speed. Today, the image workflow in an audiovisual project is based on advanced, integrated technologies, enabling optimum efficiency and quality at every stage.

To help you understand the different stages of the image workflow in an audiovisual project, we invite you to take a closer look at them with industry professionals who will help you understand and analyse the countless options available to you during this process. A balancing act, the decisions to be taken to define the workflow of our audiovisual project force us to walk a tightrope between artistic choices, technical choices and financial equilibrium. We suggest you take a look at the following stages:

-Pre-production
-Production
-FX and VFX
-Post-production
-Distribution Archiving and Restoration

The evolution of the image workflow in audiovisual projects, from analogue to digital, has radically transformed audiovisual production. Today, the integration of digital technologies and collaborative tools means that content can be created, edited and distributed with unrivalled efficiency and quality, meeting the demands of the modern industry. It is vital to keep abreast of the latest developments in the sector and the working methods that predominate in the audiovisual industry.